By George McQuade
West Coast Correspondent
"If you have any juicy gossip call me," said Debra
Kaufman, a freelance journalist at an Entertainment Publicists
Professional Society and International Cinematographers Guild
sponsored media workshop called "Freelance Journalists,
the Sure Way of Breaking Print! held at the ICG Local 600
theater. "Don't think you can call me too soon, because
I work four to five months ahead of stories. Early is good.
Lots of conversations occur with editors and me while the
story is developing."
Kaufman specializes in writing for lay audiences about complex
technology, especially those technologies involved in film
and TV production. She is West Coast editor of Film &
Video magazine, and is a frequent contributor to The
Hollywood Reporter.
Debra Kaufman
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"Always put your client in the big picture," said
Kaufman. "Nothing turns me off more than self promotion.
If you call me, I will interrupt you with questions, and if
I'm interested then I will ask you to send me an e-mail. Relationships
are important. Anyone who helps me with my job and does their
homework" gets on the radar. Kaufman is at [email protected]
and 310-397-5464.
"Be creative in your pitch and tell me why this person
is going to be interesting to our readers," said Dana
Meltzer Zepeda, who has been a full-time freelance journalist
for the past five years. "I need a minimum of one week
and know where to pitch your story before you call."
Dana Zepeda
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She is a contributing write for TV Guide, covering
features, celebrity profiles and news. Zepeda also freelances
for USA Today's Faces & Places column about celebrities'
favorite hotspots in L.A. "It's tough when people don't
call you back," she said. "Don't send me a lie;
because I anticipate the interview, it won't help.
"Try to come up with out-of-the-box ideas and be alert
to deadlines," explained Zepeda. "Don't be vague
in your intro e-mail pitches, know in advance what you're
talking about, be brief and be ready to refine your angle
if the first one doesn't work."
Zepeda covers health and fitness for Self and Fitness
magazines as well as fashion and beauty for US Weekly
and MTV News. E-mail pitches first and a follow-up phone call
is preferred at 310-475-0650 or [email protected].
Just say 'no'
"I would rather hear 'no' for an answer than to struggle
along for three weeks with a publicist," said Gerri Miller,
who is a former editor of Sterling's magazines including Metal
Edge, which she edited for 14 years. She currently works
with many print and web outlets. Her beat is mostly entertainment/celebrities,
but she also covers health and style/beauty stories.
Gerri Miller
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She prefers e-mail, but doesn't mind a phone call if you
keep it brief. Her contact is [email protected] and 323-650-0357.
"Keep your e-mail pitch within three-fourths of the
screen," said Libby Slate, who is a full-time freelance
journalist specializing in entertainment and figure skating.
She has also written about travel, social issues and healthful
living "Often I will cut and paste information for the
publication. Keep your pitch fun, interesting and stick to
the facts. I love doing interviews and spin-offs, or stories
that comes from a different pitch. If I find it interesting
for the readers of the publication, it makes it easier for
the editors and writers."
Slate is a regular contributor to the Television Academy's
Emmy magazine, other publications and website. She
also writes for the Orange County Performing Arts Center,
has had two columns in the Los Angeles Times, and has
written for TV Guide, Hollywood Reporter, Soap Opera Digest,
Disney magazine and Skating. To contact her
call 323-951-1056 or e-mail: [email protected].
Bill Desowitz
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"I prefer an e-mail pitch, but it's good to follow-up
with a phone call often and quickly, even if it is a bit of
a bothersome," Bill Desowitz, who is currently editor
of VFXWorld, the online publication/portal devoted to visual
effects and animation. He relies totally on freelancers, so
he was at the workshop as both a writer and editor. "A
good e-mail pitch is specifically targeting to my targeted
needs. Don't send vague email pitches. Be brief, but also
be open to spinning that in to several possibilities.
"In dealing with editors I have to be very creative
to come up with ideas that staff writers don't have time to
do," explained Desowitz. "I work with publicists
very hard to come up with trend ideas, overview ideas and
the roundups which take up a lot more work and effort and
sometimes packaging with many different clients and publicists,
but I find it's worth the extra effort."
Desowitz currently contributes to Below the Line, and has
also contributed to the Los Angeles Times, New York Times,
Premiere, Variety and Wired. To contact
him call 323-606-4233 or email at: [email protected].
Other suggested tips from the freelancer panel included:
- Read the publication and know who you're pitching;
- Understand the journalist position and act as an
ally;
- Know that the quid pro quo is obvious;
- Cut and paste your pitch in the body of your e-mail;
- Meet the journalist deadlines;
- Be ready with several angles;
- Try to develop a relationship with the writers;
- Refine your phone pitch down to less than 30 seconds,
and
- Do your homework on the publications before you call
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